In honor of less-than-stellar days, here is some stellar street art.
I’m going to assume the above is cornbread for ever, rather than cornbread for my middle name, although clearly one can never be sure—perhaps Eva really likes cornbread! This is one of my all-time favorite whacko pieces of graffiti; I got the image fairly early in my tenure in Chambana, though it may still be on the building. I’d like to think that it was some performer in a moment of high hilarity (or perhaps excess alcohol!), providing us all with sufficient entertainment to make it through another round of exhaustion and overwork. Cornbread 4 eva!
Kilroy’s here! I think I’ve seen him all over, but I’m pretty sure this iteration of our national trickster lives somewhere in downtown Urbana, just as delightfully tricksey as ever he was.
The eye is close kin to IT’S CHALK, which was not written in chalk, and which I presented in Part I. I occasionally wonder if it’s the same person—I mean, I’m pretty sure it’s the same not-chalk—but this person probably was more concerned with surveillance (maybe? I’m really not sure?), while CHALKer was just goofin’ around.
The signposts in Chambana—probably in every college town, everywhere, if Hyde Park is any indication—are a canvas for local street artists, taggers, and drunk people. Some of what gets tagged isn’t really worth remembering, but some, like this random design, really is.
Like signposts, No Parking signs are great for tagging. This one is, I’m pretty sure, a stencil (look at the edges), decorating a NO PARKING sign. I love this kind of decoration. Facilities probably doesn’t.
🙂 Check the back of a sign the next time you’re in a college town—it might have a stencil, or a sticker, or a political slogan (there are a lot of those)…or it might be smiling at you!
The pin person isn’t quite street art, and it isn’t graffiti, but it is hallway art, which, I think, must be close kin to the transitory nature of so much street art. Pin guy lived, for a while, on one of our corkboards in the Foreign Language Building, the fabulously ugly building which was my home away from home for the four years I spent in Urbana. Little things like PinPerson really made FLB home, the sort of place where a (dis)placed student could feel safe. Everyone decorated FLB, from posters to bumperstickers to PinPeople. There may forever be new generations of students living in its unhallowed halls, but that, at least, will remain the same.
Is this art? Probably not really? But I don’t care! It’s amazing! TOY WORKERS injected a whole lot of humor into my summer the year it appeared.
Sometime while I wasn’t around—which wouldn’t, in truth, have been difficult—someone stenciled the pillars between two science buildings with butterflies. Lots and lots and lots of butterflies. I’m not, of course, entirely sure what they meant to do with them, but I loved them then, and I love them now. It’s a startling and joyous thing to stumble across, while rushing to work and to class and then home again, jiggity-jog.
I feel like TEMPO is profoundly Hyde Park graffiti, although I suppose it could just as easily have been found on a building near Krannert. But here’s (down) tempo for you, on the back of a sign.
This isn’t quite what we usually consider street art—it’s a business sign, the one formerly attached to the Red Herring in Urbana—but it really is street art, too: it’s a part of the urban art scene, for the time that it is there. Alas, it’s been painted over now; I don’t like the new sign half as much as I like this eggplant bassist.
For reference, here’s the full sign. It was a gem, I tell you, and I mourn that it is gone.
And that’s it for Part II—though there will definitely be more. 🙂